The author is welcome to elucidate how Jarīr and Farazdaq turn the audience’s attention to their own talents in the course of their exchanges, but it would be difficult to argue con- vincingly that this is (1) in contrast to the style of pre-Islamic hijāʾ or (2) more marked than in the work of other Umayyad, Abbasid, etc. poets
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| status | not read | | reprioritisations | |
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| last reprioritisation on | | | suggested re-reading day | |
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| started reading on | | | finished reading on | |
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