The Neoclassicists continued the Renaissance tradition of glaze painting to attain a uni- form surface unmarred by the evidence of active brushwork, whereas the Romantics were more experimental, sometimes reviving the richly impastoed surfaces of Baroque and Rococo paintings.
If you want to change selection, open document below and click on "Move attachment"
pdf
owner: mmartin046 - (no access) - H. H. Arnason, Elizabeth C. Mansfield-History of Modern Art-Pearson (2012).pdf, p24
Summary
status
not read
reprioritisations
last reprioritisation on
suggested re-reading day
started reading on
finished reading on
Details
Discussion
Do you want to join discussion? Click here to log in or create user.