The void into which one may throw threatening terrorists of all sorts is an abyss that can never be filled, as the constitutive threat of the negation of an ensemble is a wound that can never be healed. In this respect, Breton’s work is very close to the discussions of ideology in Slavoj Žižek, as both imagine that what the limit to identity prohibits—the access this limit also forecloses (to the new, the beyond, the purified, unscathed, or saved)—is reflective or internal to the system itsel