The available critical perspective on the modernist project establishes metapoesis as only applicable to a "modem" Arabic literary movement, where "modem" is understood in terms of time as "recent." I would like to depart from this prevalent critical perspective to argue for a deeper understanding and examination of the metapoesis of the Abbasid mufldathun (modernizers), where the term "modem" should be understood as a literary term, rather than an historical one.
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