Also the argument about the importance of performance context shouldn’t elide the context in which this and all other studies of the naqāʾiḍ have been produced. Are there any contemporary accounts? How much later were these texts set down in writing? How did they circulate during the poets’ lifetimes?
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status | not read | | reprioritisations | |
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last reprioritisation on | | | suggested re-reading day | |
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started reading on | | | finished reading on | |
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