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Question

No dialógo Filebo de Platão:One of the major ontological themes of the work is that there are four kinds of being, or four "elements":

1. O infinito. These are the types of things of which we make relative comparisons such as more or less.
2. O finito. These are the types of things which can be given a definite measurement of number.
3. A [...] kind of being, mixes the first two, limiting and various types of limitless beings in the "world of becoming" and change which people experience, or at least that aspect of it which is not arbitrary and aimless, but a more genuine kind of becoming that aims at being.
4. A [...] , which limits the unlimited beings and orders nature. This, Socrates argues, is reason itself - not only human reason, but the greater reason of nature itself.
Answer
mistura
causa da mistura genuína

Question

No dialógo Filebo de Platão:One of the major ontological themes of the work is that there are four kinds of being, or four "elements":

1. O infinito. These are the types of things of which we make relative comparisons such as more or less.
2. O finito. These are the types of things which can be given a definite measurement of number.
3. A [...] kind of being, mixes the first two, limiting and various types of limitless beings in the "world of becoming" and change which people experience, or at least that aspect of it which is not arbitrary and aimless, but a more genuine kind of becoming that aims at being.
4. A [...] , which limits the unlimited beings and orders nature. This, Socrates argues, is reason itself - not only human reason, but the greater reason of nature itself.
Answer
?

Question

No dialógo Filebo de Platão:One of the major ontological themes of the work is that there are four kinds of being, or four "elements":

1. O infinito. These are the types of things of which we make relative comparisons such as more or less.
2. O finito. These are the types of things which can be given a definite measurement of number.
3. A [...] kind of being, mixes the first two, limiting and various types of limitless beings in the "world of becoming" and change which people experience, or at least that aspect of it which is not arbitrary and aimless, but a more genuine kind of becoming that aims at being.
4. A [...] , which limits the unlimited beings and orders nature. This, Socrates argues, is reason itself - not only human reason, but the greater reason of nature itself.
Answer
mistura
causa da mistura genuína
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quot;elements": 1. O infinito. These are the types of things of which we make relative comparisons such as more or less. 2. O finito. These are the types of things which can be given a definite measurement of number. 3. A <span>mistura kind of being, mixes the first two, limiting and various types of limitless beings in the "world of becoming" and change which people experience, or at least that aspect of it

Original toplevel document

Philebus - Wikipedia
imple question" but also its "simple answer (that the truly good and perfect is above both reason and pleasure, but thought and intelligence are incomparably closer to perfection than pleasure and enjoyment can ever be)". [7] <span>One of the major ontological themes of the work is that there are four kinds of being, or four "elements": 1. The limitless. These are the types of things of which we make relative comparisons such as more or less. 2. The limited. These are the types of things which can be given a definite measurement of number. 3. The mixed kind of being, mixes the first two, limiting and various types of limitless beings in the "world of becoming" and change which people experience, or at least that aspect of it which is not arbitrary and aimless, but a more genuine kind of becoming that aims at being. 4. The cause of such genuine mixture, which limits the unlimited beings and orders nature. This, Socrates argues, is reason itself - not only human reason, but the greater reason of nature itself. References[edit] Jump up ^ Friedländer (1969) page 306. Jump up ^ Schofield, 'Plato', Routledge Encyclopedia of Philosophy, ed. Edward Craig. Routledge. page 419. Jump up ^ Jowe

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