To express genius, then, the Romantic artist had to resist academic emulation and instead turn inward, toward making pure imagination visible.
If you want to change selection, open document below and click on "Move attachment"
- (no access) - H. H. Arnason, Elizabeth C. Mansfield-History of Modern Art-Pearson (2012).pdf, p22
|status||not read|| ||reprioritisations|
|last reprioritisation on|| ||suggested re-reading day|
|started reading on|| ||finished reading on|