[David & Neoclassicists] arranged their figures as a frieze across the pic- ture plane and accentuated that plane by closing off picto- rial depth through the use of such devices as a solid wall, a back area of neutral color, or an impenetrable shadow. The result, as seen in The Oath of the Horatii, is an effect of fig- ures composed along [...], figures that exist in space more by the illusion of sculptural modeling than by their location within a pictorial space that has been constructed according to principles of perspective.
Answer
a narrow stage behind a proscenium
Question
[David & Neoclassicists] arranged their figures as a frieze across the pic- ture plane and accentuated that plane by closing off picto- rial depth through the use of such devices as a solid wall, a back area of neutral color, or an impenetrable shadow. The result, as seen in The Oath of the Horatii, is an effect of fig- ures composed along [...], figures that exist in space more by the illusion of sculptural modeling than by their location within a pictorial space that has been constructed according to principles of perspective.
Answer
?
Question
[David & Neoclassicists] arranged their figures as a frieze across the pic- ture plane and accentuated that plane by closing off picto- rial depth through the use of such devices as a solid wall, a back area of neutral color, or an impenetrable shadow. The result, as seen in The Oath of the Horatii, is an effect of fig- ures composed along [...], figures that exist in space more by the illusion of sculptural modeling than by their location within a pictorial space that has been constructed according to principles of perspective.
Answer
a narrow stage behind a proscenium
If you want to change selection, open original toplevel document below and click on "Move attachment"
Parent (intermediate) annotation
Open it hrough the use of such devices as a solid wall, a back area of neutral color, or an impenetrable shadow. The result, as seen in The Oath of the Horatii, is an effect of fig- ures composed along <span>a narrow stage behind a proscenium, figures that exist in space more by the illusion of sculptural modeling than by their location within a pictorial space that has been constructed according to principles of perspective
Original toplevel document (pdf)
owner: mmartin046 - (no access) - H. H. Arnason, Elizabeth C. Mansfield-History of Modern Art-Pearson (2012).pdf, p24
Summary
status
not learned
measured difficulty
37% [default]
last interval [days]
repetition number in this series
0
memorised on
scheduled repetition
scheduled repetition interval
last repetition or drill
Details
No repetitions
Discussion
Do you want to join discussion? Click here to log in or create user.