The [...] continued the Renaissance tradition of glaze painting to attain a uni- form surface unmarred by the evidence of active brushwork, whereas the Romantics were more experimental, sometimes reviving the richly impastoed surfaces of Baroque and Rococo paintings.
Answer
Neoclassicists
Question
The [...] continued the Renaissance tradition of glaze painting to attain a uni- form surface unmarred by the evidence of active brushwork, whereas the Romantics were more experimental, sometimes reviving the richly impastoed surfaces of Baroque and Rococo paintings.
Answer
?
Question
The [...] continued the Renaissance tradition of glaze painting to attain a uni- form surface unmarred by the evidence of active brushwork, whereas the Romantics were more experimental, sometimes reviving the richly impastoed surfaces of Baroque and Rococo paintings.
Answer
Neoclassicists
If you want to change selection, open original toplevel document below and click on "Move attachment"
Parent (intermediate) annotation
Open it The Neoclassicists continued the Renaissance tradition of glaze painting to attain a uni- form surface unmarred by the evidence of active brushwork, whereas the Romantics were more experimental, sometimes
Original toplevel document (pdf)
owner: mmartin046 - (no access) - H. H. Arnason, Elizabeth C. Mansfield-History of Modern Art-Pearson (2012).pdf, p24
Summary
status
not learned
measured difficulty
37% [default]
last interval [days]
repetition number in this series
0
memorised on
scheduled repetition
scheduled repetition interval
last repetition or drill
Details
No repetitions
Discussion
Do you want to join discussion? Click here to log in or create user.