[...] preoccupation with tonal relationships and formal counterpoints led him to push his idealization of the female body to the limits of naturalism, offering abstractions of the models from which he worked
Answer
Ingres’s
Question
[...] preoccupation with tonal relationships and formal counterpoints led him to push his idealization of the female body to the limits of naturalism, offering abstractions of the models from which he worked
Answer
?
Question
[...] preoccupation with tonal relationships and formal counterpoints led him to push his idealization of the female body to the limits of naturalism, offering abstractions of the models from which he worked
Answer
Ingres’s
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Open it Ingres’s preoccupation with tonal relationships and formal counterpoints led him to push his idealization of the female body to the limits of naturalism, offering abstractions of the models from
Original toplevel document (pdf)
owner: mmartin046 - (no access) - H. H. Arnason, Elizabeth C. Mansfield-History of Modern Art-Pearson (2012).pdf, p26
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