According to Fakhreddine, The available critical perspective on the modernist project establishes metapoesis as only applicable to a "modern" Arabic literary movement, where "modern" is understood in terms of time as "recent." She argues for a deeper understanding and examination of the metapoesis of the Abbasid muḥdathūn (modernizers). How does she understand the term "modern?"
Answer
As a literary term, rather than an historical one.
Question
According to Fakhreddine, The available critical perspective on the modernist project establishes metapoesis as only applicable to a "modern" Arabic literary movement, where "modern" is understood in terms of time as "recent." She argues for a deeper understanding and examination of the metapoesis of the Abbasid muḥdathūn (modernizers). How does she understand the term "modern?"
Answer
?
Question
According to Fakhreddine, The available critical perspective on the modernist project establishes metapoesis as only applicable to a "modern" Arabic literary movement, where "modern" is understood in terms of time as "recent." She argues for a deeper understanding and examination of the metapoesis of the Abbasid muḥdathūn (modernizers). How does she understand the term "modern?"
Answer
As a literary term, rather than an historical one.
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Open it The available critical perspective on the modernist project establishes metapoesis as only applicable to a "modem" Arabic literary movement, where "modem" is understood in terms of time as "recent." I would like to depart from this prevalent critical perspective to argue for a deeper understanding and examination of the metapoesis of the Abbasid mufldathun (modernizers), where the term "modem" should be understood as a literary term, rather than an historical one.
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owner: logan - (no access) - Fakhreddine, Huda J.: Metapoesis in the Arabic Tradition, p3
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